Art styles: Art style describes the way the artwork looks.
How does an art style developed?
Can an artist have different styles?
Can an artist mix different styles?
Definitions of art styles:Realism: Realism, sometimes called naturalism, in the arts, is generally the attempt to represent subject matter truthfully, without artificiality and avoiding artistic conventions, or implausible, exotic, and supernatural elements.
- Pop Art: Pop art is an art movement that emerged in the United Kingdom and the United States during the mid- to late-1950s. ... One of its aims is to use images of popular (as opposed to elitist) culture in art, emphasizing the banal or kitschy elements of any culture, most often through the use of irony.
Cubism: Cubism is a style of art that aims to show all of the possible viewpoints of a person or an object all at once. It is called Cubism because the items represented in the artworks look like they are made out of cubes and other geometrical shapes. Cubism was first started by Pablo Picasso and Georges Braque.
- Art Deco: Art Deco, similar to Art Nouveau, is a modern art style that attempts to infuse functional objects with artistic touches. This movement is different from the fine arts (painting and sculpture) where the art object has no practical purpose or use beyond providing interesting viewing.
- Symbolism: Symbolism is the practice or art of using an object or a word to represent an abstract idea. An action, person, place, word, or object can all have a symbolic meaning. When an author wants to suggest a certain mood or emotion, he can also use symbolism to hint at it, rather than just blatantly saying it.
Surrealism: Surrealism is the drawing or writing to unlock ideas and images from the unconscious minds, and others sought to depict dream worlds or hidden psychological tensions. It is the practice of producing fantastic or incongruous imagery or effects in art, literature, film, or theater by means of unnatural or irrational juxtapositions and combinations.
Abstract: Abstract art is an art that does not attempt to represent an accurate depiction of a visual reality but instead uses shapes, colors, forms, and gestural marks to achieve its effect.
- Expressionism: Expressionism is a modernist movement, initially in poetry and painting, originating in Germany at the beginning of the 20th century. Its typical trait is to present the world solely from a subjective perspective, distorting it radically for emotional effect in order to evoke moods or ideas.
- Impressionism: The impressionist artists were not trying to paint a realistic picture, but an 'impression' of what the person, object, or landscape looked like to them. (This is why they are called impressionists). They wanted to capture the movement and life of what they saw and show it to us as if it is happening before our eyes.
- Post- Impressionism: Post-Impressionism is an art movement that developed in the 1890s. It is characterized by a subjective approach to painting, as artists opted to evoke emotion rather than realism in their work.
Still Life: A still life is a painting featuring an arrangement of inanimate, everyday objects, whether natural objects (flowers, food, wine, dead fish, and game, etc.) or manufactured items (books, bottles, crockery, etc.)
Art Nouveau is ornamental style of art that flourished between about 1890 and 1910 throughout Europe and the United States. Art Nouveau is characterized by its use of a long, sinuous, organic line and was employed most often in architecture, interior design, jewelry and glass design, posters, and illustration.
Cartoons are essentially two-dimensional, non-realistic drawings often caricatured or stylized.
Manga-A style of comic strip or comic book originally developed in Japan. In Japanese, "manga" refers to all kinds of cartooning, comics, and animation. Among English speakers, "manga" has the stricter meaning of "Japanese comics", in parallel to the usage of "anime" in and outside Japan.
Eclecticism is a conceptual approach that does not hold rigidly to a single paradigm or set of assumptions, but instead draws upon multiple theories, styles, or ideas to gain complementary insights into a subject, or applies different theories in particular cases.
